![]() ![]() ![]() Choose values with the large rotary encoder, and then push the encoder to enter. Basic operation is straightforward: Touch the screen to select sounds and parameters to edit. It took me less than a minute to begin auditioning sounds. The control panel is disarmingly simple: two knobs, four switches (illuminated by multi-color LED strips), and a full-color 7"touchscreen.The jacks and knobs are plastic, but all other surfaces are metal. The Gigboard lives in a compact 13" x 9" x 3" steel enclosure weighing under eight pounds. The Eleven sounds may feel familiar, but the pedalboard’s hardware, interface, and user experience are decidedly new. Still, it’s easy to discern similarities to earlier Eleven sounds. According to HeadRush, the Eleven code has been extensively reworked. The Gigboard’s software descends from Eleven, a modeler HeadRush now owns after a purchase from Avid, the company behind Pro Tools. In other words, the Gigboard is to the Pedalboard what Fractal’s AX8 is to their Axe-Fx, or what Line 6’s Helix XT is to the large-format Helix. It has fewer footswitches and no built-in controller pedal, but its tones and operating system are similar. The Gigboard is a scaled-down version of the Pedalboard, HeadRush’s flagship amp and effects modeler.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |